Ribbons of War!, adapted from a rock opera by Jay Purdy-
Left to right: Playwright & Musical Director:Andrew Fridae; Production Manager:Olivia Murphy and Director: Josh Gulotta
Fri Feb 1@ 7:30PM – Sat Feb 2 @7:30PM – Sun Feb 3 @2:30PM
Shaking the Tree 1407 SE Stark St
Olivia, Andrew and Josh all went to Bennington College together in Vermont and ultimately landed in Portland where they decided to adapt Purdy’s musical for the stage. They – and the rest of the company who have worked with them on Ribbons of War! – are terribly inventive, collaborative, talented, humble, playful, generous and … will break into song unpredictably at any time and invite you to join in!
Land ho! Adventure! Romance! Sea Monsters! Ribbons of War tells the story of the lovely young pilot, Annelies, who abandons her island home to marry a tough and striking sea captain and join the madcap crew of the Good Ship Valiant, a surprisingly warm-hearted psychopath, an innocent and curious couple and an omniscient turtle dove.
1. An Artist or Artists in Our Field we Have a Giant Artist Crush On are . . .
All of us: Jay Purdy and the Extraordinaires! They are the foundation of this musical and have been so supportive as we turn their album into a play.
2. A Work That Has Shaped My Artistic Voice Is . . .
Josh: “The Fantasticks. So much of the musical is about theater magic and letting simple things tell bug stories.”
3. When We’re Not Creating Art You Can Often Find Me/Us . . .
All of us: Playing music together.
How about one from each of us?
Josh: Tomorrow Gone, by Stew
Andrew: St. Elsewhere, by Gnarls Barkley
Olivia: Farewell Angelina, Wake the Dead
5. A Portland Artist/Creative/Arts Organization we’d Love To Work With Is . . .
All of us: So much support for our show came from Artists Repertory Theatre – we love them!
6. I Am Terrified Of .
Olivia, production manager: “Spiders! A big problem when we’re rehearsing in my garage.”
7. We are Obsessed With . . .
All of us: Ribbons of War!
8. The Books Currently On Our Nightstands are . .
Josh: “Concise History of the Middle of East, by Goldschmidt and Davidson.”
Olivia: “Shirley, by Charlotte Bronte. I wrote my senior thesis on the Brontes and am re-reading!”
9. Three Adjectives That Describe This Work Are . . .
How about three words? “Hearts not parts” – it’s all about love!
BEHIND THE SCENES
1) Tell us about your Fertile Ground Festival work.
Populated by fun and fantastic characters like Sophia the turtledove and Oswald the one handed gunman, Ribbons of War tells two parallel tales of love and tragedy.
First, we are introduced to Darling and Dearest, hopelessly in love and held captive by the Evil Captain Hart, enemy to all those who dare find true love on the seven seas.
While imprisoned, Darling and Dearest are brought scraps of letters, captain logs, and journals by a friendly turtledove, Sophia. The documents belong to Annelies and The Captain, women who meet and immediately elope on The Captain’s ship. These two and their crew set sail, navigate the stormy waters of a new marriage, and battle the Kraken all while Darling and Dearest lose themselves in the story but never forget their own immediate peril.
With fantastic songs by the band The Extraordinaires, Ribbons of War is a camp-filled joyride for the whole family!
2) How did this work come about? What inspired it?
Ribbons of War was originally the bold vision of singer/songwriter Jay Purdy about two lovers, one chained to the sea, and the other to the sky. This particular project began when the director, Josh Gulotta, attended a concert played by The Extraordinaires. Gulotta was enthralled with the music and the vision, and immediately contacted his close collaborator, Andrew Fridae, about writing a play to tell the story sung in Purdy’s music. Gulotta and Fridae are both musicians themselves and have written additional songs to supplement the script. The play has never been produced in this form before, and as such Fertile Ground was the exact opportunity Gulotta and Fridae needed to bring this play to Portland audiences.
3) Talk about your creative process. (How do you work? When do you work? What gets you inspired?)
Josh, director: “The most unique thing about this process for me was Andrew Fridae, whose role in the rehearsal room was both musical director and playwright. We’d be in the rehearsal room, I’d ask Andrew to play some incidental music, and the themes he came up with created an atmosphere for the play to live in. It could feed off the dialogue, and the dialogue could feed off of it.”