Fertile Ground Portland

A Festival of New Works Blog

Meet the Artist: Sydney Somerfield February 5, 2013

 Sydney Pulp Diction 2

Sydney Somerfield, playwright, Best Friends Forever, part of Pulp Diction IV,  at Fertile Ground 2013

Sydney Somerfield previously wrote The Devil Made Me Do It for PULP DICTION III.  She is a co-founder of Willamette Shakespeare with her husband, Daniel. While fairly new to playwriting, she has performed as an actor in Portland, Seattle and Los Angeles. She holds a bachelor’s degree in Theatre Arts from the University of Oregon and is currently working through a Feldenkrais Professional Training Program. Best Friends Forever a one act play was presented as part of  Pulp Diction IV, produced by Pulp Stage at Fertile Ground 2013.
http://thepulpstage.weebly.com/about-us.html

POP QUIZ

1. An Artist or Artists in My Field I Have a Giant Artist Crush On Is. . . 

I love Caryl Churchill and the way she plays with language. And I have a big sci-fi writer-crush on Steven Moffat.

2.  A Work That Has Shaped My Artistic Voice Is . . .

Best Friends Forever was probably influenced by my brief obsession as a teenager with the movie Heathers.

3. When I’m Not Creating Art You Can Often Find Me. . .

I’m in a certification training program for the Feldenkrais Method, so I spend a lot of time rolling around on the floor and learning about how the human body moves.

4. Five Songs On My Writing/Painting/Creating Playlist Are . . . 

I can’t listen to anything with words when I write and sometimes I even find music distracting. Instead, I play nature loops of ambient rain or thunderstorms as a way of tuning everything out.

5. A Portland Artist/Creative/Arts Organization I’d Love To Work With Is . . .

I think there are so many amazing women acting in Portland and I’m interested in creating more opportunities for women to perform in Portland.

6. I Am Terrified Of 

Karaoke.

7. I Am Obsessed With . . .

Neuroscience.

8. The Books Currently On My Nightstand is.. . . 

I just finished Chaos by James Gleick which kind of blew my mind. I just picked up Daring Greatly by Brene Brown from the library and Why Zebras Don’t Get Ulcers by Robert Sapolsky is next in my library queue.

9. Three Adjectives That Describe This Work Are . . .

silly, killer, bitchy

10. In the Indie Art-House Biographical Film Of My Life, I Should Be Played By . . .

Michelle Williams has a similar vibe. If it was a comedy-musical version, then it might be Amy Adams.

Best Friends Forever- Jessi Walters, Kaia Maarja Hillier, Julianna Wheeler, (director Joel Patrick Durham)Best Friends Forever rehearsal with Jessi Walters, Kaia Maarja Jillier, Julianna Wheeler and director Joel Patrick Durham

BEHIND THE SCENES

1) Tell us about your Fertile Ground Festival work. 

Best Friends Forever is a 10 minute short that is part of the Pulp Diction Sampler at the Brody Theatre. In BFF, three teenage girls use a Ouija board to contact a friend on the “other side.”

2) How did this work come about?  What inspired it?

I wrote the first incarnation of BFF in a playwriting class with Francesca Sanders. She had suggested using artistic constraints to push creativity, so I chose three objects – a Ouija board, Vaseline, and a dollar bill to start. Two of those objects eventually dropped away, but all of them helped shape the play. I knew that I wanted to write women’s roles (more constraints) and that I didn’t want more than 3 characters (another constraint). My only experience using a Ouija board was in college and “the board” started to count down. It was terrifying, so that moment shows up too.

3) Talk about your creative process.  (How do you work?  When do you work?  What gets you inspired?)

I’m new to writing, so I’m still learning how I work. So far, I find it helpful to begin writing the scene or the characters that excite me the most and then I build from there. It feels more like an inflating process – blowing it up and stretching it out. Eventually there’s a structure to play with and I can do the really fun part – rewriting.  Sharing my writing and getting feedback from peers or mentors is really important. During the rehearsal process, I had a great conversation with Joel Patrick Durham, who is directing BFF and now I’ve got some ideas about how to really hone the piece.

My biggest inspiration comes from deadlines. When I know that I have to present or submit something by a certain date, the pieces just come together – sometimes in fun and unexpected ways.

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